レビュー（Album Description）
Holidays with Harry and his 2008 release, What A Night! A Christmas Album. Harry Connick, Jr. is an accomplished singer, pianist, and actor who emerged in the late 1980s as a Sinatra-style crooner for a new generation. As a musician, his influences include Bebop, New Orleans Jazz, and big-band swing. His score for the film When Harry Met Sally brought him national acclaim and an Oscar. He has appeared in many films and he is known for his Pop music as well.

レビュー（Album Description）
Listeners familiar with the Charlie Haden's celebrated career may not know of the legendary jazz bassist's early years in country music performing with his family. Charlie Haden Family & Friends: Rambling Boy brings the artist's personal history full circle and presents a new generation of the Haden Family - a legendary Midwest music institution in the 1930s and 1940s, now reborn in the 21st century. Rambling Boy includes songs made famous by the Stanley Brothers, the Carter Family, and Hank Williams alongside fabled traditional tunes and some striking original compositions. The performing cast includes Haden, his wife and co-producer Ruth Cameron, all four of his children (the triplets Petra, Rachel and Tanya Haden, their brother Josh Haden), and his son-in-law Jack Black-- each of whom has his or her own career in music. In addition, Rambling Boy features guest appearances by some of the most illustrious names in contemporary Americana and popular music: Roseanne Cash, Elvis Costello, Vince Gill, Bruce Hornsby, Ricky Skaggs & the Whites, and Dan Tyminski and also includes such illustrious musicians as Jerry Douglas, Sam Bush, Stuart Duncan, Bryan Sutton and more.

Featured Guest Artists:

Ruth Cameron

Josh Haden

Tanya Haden

Rachel Haden

Petra Haden

Bruce Hornsby

Roseanne Cash

Ricky Skaggs & the Whites

Vince Gill

レビュー（Amazon.com essential recording）
This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed

レビュー（Amazon.com）
Michael Bublé's assured debut and the tireless year of globe-trotting touring he spent promoting it elevated the 20-something Vancouver native into the first rank of pop crooner revivalists. His sophomore studio follow-up largely turns on the same formula that helped make his considerable vocal prowess so attractive to mainstream audiences, mixing the nigh flawless, if expected Sinatra-channeling ("I've Got You Under My Skin") with more playful and inviting renditions of pop standards like the Gershwin's "A Foggy Day in London Town," "Feeling Good," "Try A Little Tenderness" and Cole Porter's "I've Got You Under My Skin." But it's the eclectic mix of more contemporary material the singer seasons them with -- apt tribute to Bublé hero Bobby Darin -- that keeps him walking the narrow tightrope between artistic intrigue (a blues-tinged vamp of Holland-Dozier-Holland's "How Sweet It Is," Leon Russell's lovely "Song For You," with a guest turn by Chris Botti) and the kitsch-laden abyss ("Quando, Quando, Quando"'s Euro-centric duet with Nelly Furtado, a ring-a-ding-fling with the Beatles' "Can't Buy Me Love" that echoes fellow Canadian crooner/rival Matt Dusk's more successful flirtation with Lennon-McCartney). Arranger/producer Tommy LiPuma offers Bublé a welcome swinging jazz showcase on "The More I See of You," a bracing respite from the rest of producer David Foster's slick, if typically bloodless MOR production. -- Jerry McCulley [Note: A special edition including two bonus tracks--"Dream a Little Dream" and "Mack the Knife"--is also available.]

Michael Bublé and More

Michael Bublé	Come Fly with Me	Totally Bublé
Come Fly with Me (DVD)	Two Shots	Peter Cincotti

レビュー（Product Description）
Road Shows, Vol. 1 is the exciting inaugural release in a planned series of outstanding live Sonny Rollins recordings from the last 30-plus years. The seven tracks on the new CD, culled from the Carl Smith collection and Sonny Rollins s own personal soundboard recordings, were recorded in the U.S., Japan, France, and Sweden. Featuring the saxophonist with a variety of sidemen, including Al Foster, Mark Soskin, Clifton Anderson, Bob Cranshaw, and Stephen Scott, Road Shows captures the Saxophone Colossus in full flight, dazzling audiences around the world.

レビュー（Album Description）
Béla Fleck, often considered the premiere banjo player in the world, has made a name for himself as a virtuoso instrumentalist unbounded by genre. His band The Flecktones - Victor Wooten on electric bass, Jeff Coffin on sax and flute, and Future Man on percussion - are equally talented and adventurous as Fleck himself, and together they have made a string of critically acclaimed albums that combine bluegrass, jazz, funk and world music with technical prowess, unlimited imagination and occasional zaniness. Their new holiday CD Jingle All the Way is all of that, with bells on - Christmas music as it's never been heard it before, with unique tonal textures (banjo, Tuvan throat singing, klezmer mandolin), hot solos and tight ensemble arrangements that make every measure new. Jingle All the Way is the perfect stocking stuffer for those who like their Christmas music fun and challenging at the same time.